About the building

THE
COMPLEX

1.0 PREMISES. The original Deskbound Complex was a studio in name only: one desk, with a computer on it. No further equipment was held, and none was missed. From this surface came the tracks, the ideas, and a working policy that remains in force today. Great records do not require racks of gear or corporate gloss. They require heart, a bit of nerve, and a flat surface to put your laptop on.

1.1 FIRST APPEARANCE IN THE RECORD. The name is no retrofit: the sleeve of The MFA’s 2004 single ‘The Difference It Makes’ credits “remix and additional production by The MFA at the Deskbound Complex, London.” The single itself was written two years earlier in a friend’s basement studio beneath a chalet in Les Diablerets, Switzerland, on free software: supporting evidence for clause 1.0. It is not about the kit. It is about the idea.

2.0 INCORPORATION. The studio name became a label in 2025, when The MFA’s Alastair Douglas and Rhys Evans opened the complex for business, with Amilcar Torija appointed creative director and James McCaffrey handling PR and communications.

3.0 PRIOR FILINGS. ‘The Difference It Makes’ was filed as Border Community 03BC in January 2004, though James Holden had already opened his Balance 005 mix with it months before it was released, and John Digweed was playing early MFA material on Kiss 100 before that. Kompakt then did something the Cologne institution had never done before: licensed a record in, pairing the original with a Superpitcher remix that Pitchfork filed at #43 in its singles of 2005: “not a note could be added or subtracted without making it inferior.” Further MFA filings followed with Bpitch Control, EQ and Precinct, plus remix work for Ellen Allien, Télépopmusik and, on Boxer, Duoteque. In 2009 the lights went off; in 2021 they came back on at Traum Schallplatten, where the 2023 album ‘Lights Out’ was filed. The complex reopened fully in 2025.

4.0 PURPOSE. The complex exists to provide a platform for new and established artists to share, collaborate, and release records through: timeless, alternative electronic music that prioritises experience over algorithm. Music has meaning here; vinyl crackles with purpose. Visiting hours are unrestricted. Everyone is welcome in the building.

The original deskbound complex, a desk with a computer on it
The deskbound complex itself. One desk, one computer, everything that mattered.
Packing records in the back office
Back office, 26.10.2025. Dispatch in progress, two days before DBC001 release day.

THE PREMISES: PHOTOGRAPHIC RECORD

The complex has occupied several premises since incorporation. The constant is the desk. Surveys filed below; dates approximate, as the registry was not yet kept.

Jean Marie's basement studio in Les Diablerets, Switzerland: a yellow car mural, drum kit, grand piano, synthesiser and guitars
Survey 001: Jean Marie's basement studio, Les Diablerets, c. 2002. We wrote 'The Difference It Makes' on our desk in the corner of his studio, on free software.
Two CRT monitors on a desk with small polar bear figurines on top
Survey 002: the original complex, c. 2002. Two terminals, resident wildlife. Image quality as found.
A darkened studio desk with large monitor speakers and a hand on the mouse
Survey 003: c. 2006. Monitoring upgraded. Blinds drawn for acoustic reasons.
An iMac and monitor speakers on a white desk against a mustard wall with large artwork
Survey 004: c. 2009. The wall art predates the brand guidelines. Shortly before the lights go off.
Black and white photo of a desk with racks of outboard gear, laptop and monitors
Survey 005: c. 2010. Outboard acquired. Documentation switches to black and white.
A person working at a laptop by a large window at sunset, city skyline beyond
Survey 006: the lights-out era. Reduced operations: one laptop, borrowed view.
A bright loft room with a desk, speakers on stands, plants and tall windows
Survey 007: lights-out era, continued. Temporary premises, good light, no filings.
A purpose-built white desk on a standing frame flanked by two monitor speakers
Survey 008: current premises. Purpose-built desk, all departments operational. Visitors by appointment.

COMPANY HISTORY

2002
First MFA live performance (The Foundry, 5 April; a CD-R survives). 'The Difference It Makes' written in a basement in Les Diablerets, Switzerland, at the Deskbound Complex, London, on free software.
2003
James Holden opens his Balance 005 mix with the track, months before it is released. John Digweed airs early MFA material on Kiss 100.
2004
'The Difference It Makes' filed as Border Community 03BC, 26 January. Kompakt licenses it (their first-ever license in) with a Superpitcher remix.
2005
Zone Day EP filed with Bpitch Control (recorded in one day; one of us had a hangover). Pitchfork files the single at #43 in its top 50 of the year.
2006
Live at Sónar, Barcelona.
2009
'Throw It Back (We Will Destroy You)' filed as Border Community 26BC. Then the lights go off.
2021
Lights back on at Traum Schallplatten.
2023
'Lights Out' LP filed (Traum). The #23 Remix is born on stage at Traum's 25th anniversary, Artheater, Cologne.
2025
The complex opens for business. DBC001 filed 28 October: remastered, remixed, pressed, dispatched.
2026
DBC002 at mastering. Filing continues.

OFFICERS OF THE COMPANY

  • Alastair Douglas Founder, The MFA
  • Rhys Evans Founder, The MFA
  • Amilcar Torija Creative director
  • James McCaffrey PR & communications

Full personnel files, including artists and associates, are kept in the staff directory.

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